They call me lady tiger, but I never eat my young
madamethursday:

[Image: A dark skinned Desi woman in a steampunk outfit with a bright teal and gold collared choli (midriff bearing top) and pants that end in spats with a bright red and gold cloth that wraps around the character from shoulder to waist at knee length reminiscent of a dupatta with a black hat, gold colored pointed toe shoes, with a large choker-like necklace with green jewels, dangling green jewel earings and a jeweled green and gold bindi. She is holding a cigarette in one hand with a speech bubble that says, “Well, shit”.]
torayot:

nextian:

shoomlah:

Multiculturalism for Steampunk is starting up a weekly art challenge, and it looks promising.  SO EXCITED.  I’ve had a bunch of ideas for non-Western steampunk outfits floating around in my head, and it’s nice actually having a weekly deadline to motivate me to finish some of them.This is pretty subtle in its steampunkery (read: no extranneous metal bits), but I was just trying to bring in a few western/Victorian elements to traditional Indian clothing- legomuttoned sleeves, the double breasted, collared choli, and adapting the churidar into buttoned spats.…Also a sweet hat.-C

I think there are some colonialist questions that get raised when you incorporate specifically British Victorian elements of couture into Indian fashion? A few?
Buuuuuuut I would fight a man on a grizzly bear for this lady’s comic.

I am so glad you said this. I thought I was alone in this. British Empire, anyone? Company Rule? British Raj?
Dear internet, I shan’t assume that you all know about the British Empire. I know not everyone has the same education and it’s problematic to assume this.
But know that British rule in India lasted from around 1757 to about 1948, and that the relationship between the coloniser and colonised is extremely complicated, and still very much has real lived effects today. Sure, the outfit and character look beautiful, but I just don’t think you can go around mashing up Victorian fashion with Indian clothing just for surface steampunk elegance without encountering some problems. I can appreciate the visual qualities, but the history and meaning causes some concern.
/inb4 people start screeching that I am ~*oversensitive*~ and can’t enjoy anything :-{D

Reblogging for Torayot’s commentary. They are so NOT oversensitive.
While the idea is nice, since the artist is a white/non-Indian/non-Desi person, it is something to think about before uncritically praising this picture. 
I love non-European steampunk (art and literature), but it seems like so many people think throwing in Victorian English/U.S.ian/Western motifs, clothes, and other things is somehow a requirement, that it doesn’t count as steampunk if there aren’t spats or Western style hats and other things, that it doesn’t count if it doesn’t take place in the 1860’s to 1930’s in the West.
And this is problematic given the history of colonialism and it’s ongoing impact on the world. 

You know, not gonna lie- this is mega pretty. I see that the artist is trying here and it is great the steam punk is going beyond being white. But you gatta be incredibly mindful of incorporating Victorian elements to an identity which was harmed by the Colonialism for centuries. It’s possible to do steam punk without it being eurocentric in styles and all and ugh uhg
The commentary summarises my feels better tbh. But I do like this picture.

madamethursday:

[Image: A dark skinned Desi woman in a steampunk outfit with a bright teal and gold collared choli (midriff bearing top) and pants that end in spats with a bright red and gold cloth that wraps around the character from shoulder to waist at knee length reminiscent of a dupatta with a black hat, gold colored pointed toe shoes, with a large choker-like necklace with green jewels, dangling green jewel earings and a jeweled green and gold bindi. She is holding a cigarette in one hand with a speech bubble that says, “Well, shit”.]

torayot:

nextian:

shoomlah:

Multiculturalism for Steampunk is starting up a weekly art challenge, and it looks promising. SO EXCITED. I’ve had a bunch of ideas for non-Western steampunk outfits floating around in my head, and it’s nice actually having a weekly deadline to motivate me to finish some of them.

This is pretty subtle in its steampunkery (read: no extranneous metal bits), but I was just trying to bring in a few western/Victorian elements to traditional Indian clothing- legomuttoned sleeves, the double breasted, collared choli, and adapting the churidar into buttoned spats.

…Also a sweet hat.

-C

I think there are some colonialist questions that get raised when you incorporate specifically British Victorian elements of couture into Indian fashion? A few?

Buuuuuuut I would fight a man on a grizzly bear for this lady’s comic.

I am so glad you said this. I thought I was alone in this. British Empire, anyone? Company Rule? British Raj?

Dear internet, I shan’t assume that you all know about the British Empire. I know not everyone has the same education and it’s problematic to assume this.

But know that British rule in India lasted from around 1757 to about 1948, and that the relationship between the coloniser and colonised is extremely complicated, and still very much has real lived effects today. Sure, the outfit and character look beautiful, but I just don’t think you can go around mashing up Victorian fashion with Indian clothing just for surface steampunk elegance without encountering some problems. I can appreciate the visual qualities, but the history and meaning causes some concern.

/inb4 people start screeching that I am ~*oversensitive*~ and can’t enjoy anything :-{D

Reblogging for Torayot’s commentary. They are so NOT oversensitive.

While the idea is nice, since the artist is a white/non-Indian/non-Desi person, it is something to think about before uncritically praising this picture. 

I love non-European steampunk (art and literature), but it seems like so many people think throwing in Victorian English/U.S.ian/Western motifs, clothes, and other things is somehow a requirement, that it doesn’t count as steampunk if there aren’t spats or Western style hats and other things, that it doesn’t count if it doesn’t take place in the 1860’s to 1930’s in the West.

And this is problematic given the history of colonialism and it’s ongoing impact on the world. 

You know, not gonna lie- this is mega pretty. I see that the artist is trying here and it is great the steam punk is going beyond being white. But you gatta be incredibly mindful of incorporating Victorian elements to an identity which was harmed by the Colonialism for centuries. It’s possible to do steam punk without it being eurocentric in styles and all and ugh uhg

The commentary summarises my feels better tbh. But I do like this picture.

respawns:

delladilly:

you know those things that feminists and social revolutionaries who mostly consume fiction and analyze it to death (aka tumblr) are always wishing for
like gosh it would be fabulous if we had young adult fiction where all the main characters were of color
or where the most important relationship was between two women
or where no women were demonized or hated or belittled or unrealistic or scapegoats, where all women were treated with compassion and respect
or where the love interest actually genuinely respected and listened to the protagonist
or if fantasy used its freedom to investigate the shitty things that bind our world, colonialism and racism and misogyny and a thousand forms of structured oppression that we’re so deeply trenched in that it’s hard to see them properly
like ALL OF THOSE THINGS, if you told me that a book could give me ALL OF THOSE THINGS, I probably wouldn’t believe you, and if I did, I would be satisfied with it, I would be bloated by it, it would be all I would need or want
and I know I sound like an infomercial, but Cold Magic has all of that— AND MORE
it’s steampunk— genuinely steampunk the way steampunk was meant to be, reconstructing history from the ice age onwards to make you think about the way our history happened and how it formed the society that we assume is unavoidable and authentic and real
and this ice age went on longer, and the Roman Empire didn’t fall till the year 1000, and one of the principle arguments of the book, which takes place 800 years later, is that the Romans told lies
and plus there are sentient dinosaurs. 
REVOLUTIONARY ANTI-COLONIALIST FEMINIST THEORY
AND
SENTIENT
DINOSAURS
and the heroine is brave and rude and a little cocky, and she holds her secrets tight to her chest, and she thinks with her feet and keeps going
and she gets the dreamiest unlikeliest most besotted love interest you’ve ever met, who takes an absurd amount of pride in his clothing, about whom the line exists “He was still very much in love with me. He looked angry about it.”
and let me remind you that both of them (plus everyone else of importance!!!) are of color
and there is magic, and magic interacting with politics, and with it investigations into freedom/power/safety/oppression/obligation/choice, and also it is sexy
and there are plagues and ghouls and a beautifully drawn spirit world, actually the most complete world building I’ve seen since His Dark Materials or Harry Potter
and the talking heads of poets
and also kissing, and hilariousness, and thrilling action, it’s described in the blurb as an Afro-Celtic Roman icepunk, like DO I HAVE TO BEAT YOU OVER THE HEAD WITH THIS BOOK TO MAKE YOU READ IT
BECAUSE I WILL


this sounds like a dream come true

respawns:

delladilly:

you know those things that feminists and social revolutionaries who mostly consume fiction and analyze it to death (aka tumblr) are always wishing for

like gosh it would be fabulous if we had young adult fiction where all the main characters were of color

or where the most important relationship was between two women

or where no women were demonized or hated or belittled or unrealistic or scapegoats, where all women were treated with compassion and respect

or where the love interest actually genuinely respected and listened to the protagonist

or if fantasy used its freedom to investigate the shitty things that bind our world, colonialism and racism and misogyny and a thousand forms of structured oppression that we’re so deeply trenched in that it’s hard to see them properly

like ALL OF THOSE THINGS, if you told me that a book could give me ALL OF THOSE THINGS, I probably wouldn’t believe you, and if I did, I would be satisfied with it, I would be bloated by it, it would be all I would need or want

and I know I sound like an infomercial, but Cold Magic has all of that— AND MORE

it’s steampunk— genuinely steampunk the way steampunk was meant to be, reconstructing history from the ice age onwards to make you think about the way our history happened and how it formed the society that we assume is unavoidable and authentic and real

and this ice age went on longer, and the Roman Empire didn’t fall till the year 1000, and one of the principle arguments of the book, which takes place 800 years later, is that the Romans told lies

and plus there are sentient dinosaurs. 

REVOLUTIONARY ANTI-COLONIALIST FEMINIST THEORY

AND

SENTIENT

DINOSAURS

and the heroine is brave and rude and a little cocky, and she holds her secrets tight to her chest, and she thinks with her feet and keeps going

and she gets the dreamiest unlikeliest most besotted love interest you’ve ever met, who takes an absurd amount of pride in his clothing, about whom the line exists “He was still very much in love with me. He looked angry about it.”

and let me remind you that both of them (plus everyone else of importance!!!) are of color

and there is magic, and magic interacting with politics, and with it investigations into freedom/power/safety/oppression/obligation/choice, and also it is sexy

and there are plagues and ghouls and a beautifully drawn spirit world, actually the most complete world building I’ve seen since His Dark Materials or Harry Potter

and the talking heads of poets

and also kissing, and hilariousness, and thrilling action, it’s described in the blurb as an Afro-Celtic Roman icepunk, like DO I HAVE TO BEAT YOU OVER THE HEAD WITH THIS BOOK TO MAKE YOU READ IT

BECAUSE I WILL

this sounds like a dream come true

Cultural Appropriation - Comments Made

mycultureisnotatrend:

svnoyi:

updowncontinue:

Okay, I haven’t really said anything much in regards to the original pictures, other than to say that Hipster /= Native American, but this last comment pisses me the fuck out so I want to say something.  To know where this comes, I just want to say that I’m an artist who sometimes makes Native Steampunk art, partly because I love the aesthetics and ideas behind Steampunk, and partly because of people like you ijustforgot, who like to stick NDNs forever in the past.


ijustforgot
:

To whom this may concern;

Thank you for your opinion. I am well aware that I am not native. I didn’t mean for my costume to appear as though I was Native. I wanted to look as though a 19th century woman had traveled to Canada and had clearly picked up the clothing appearances of a trapper, and been influenced by local inhabitance. The weaponry was modified to appear more technologically advanced (making it accurate to steampunk) then a standard bow and arrow. The feather in the hair is because clearly I have no idea how to dress accordingly. I have admitted to that. OPENLY. Not to mention, apologized for.

I’m sorry but I’m calling bullshit on this backstory on your character.  You didn’t call your set Canadian Trapper Steampunk, you called it Native American Steampunk.  Big, huge, monstrous difference.  Also, if your character was supposed to be a trapper, it would make sense that she would adopt some clothing styles from Natives, because trappers did that a lot, but they would adopt things that would make fucking sense.  They adopted to wearing beaverskins and deerskin because that made sense.  They didn’t start wearing feathers in headbands because that did not make sense.

The thing that really pisses me off (and the only reason for my second explanation for my costume) is the comment about appropriation, as well as the ‘white’ comments.

Are you just including Native American’s to this list of cultures that those of us with ‘white privilege’ are not allowed to emanate? Or is it every culture?

If you what you mean by “emanate” is to appropriate cheaply from cultures not your own and you don’t seem to know much about, then yes, Native American cultures (because there’s more than fucking one) can be added to the list of cultures that people with white privilege cannot emulate.  I don’t know if every culture in existence can be put on that list, because I’m not a person who comes from every damn culture in existence, but mostly the people on the list on who you can’t appropriate from are people who have been oppresed, colonized, and genocided. 

I will have you know, I have worn Kimono’s and Sarees to special events around Toronto. (Both of which I own 2 sets of and are authentic.) I have taken college programs on Japanese culture, history and language studies. I spent much of my childhood growing up with my mother’s friend who lived with us; she was from China. I learned how to speak mandarin, and have photos of me as a child wearing traditional Chinese dress with all of her nieces and nephews. (One tall, chubby, blond haired and blue eyed, white kid amongst 7 Asian children.) In no way had I ever offended anyone for dressing as such.

These things are not worn or studied because I want to appropriate the culture they come from; it was because I was brought up to love everyone no matter what their ethnicity or gender. I have been taught to embrace everyone, including they’re culture. 

That’s a nice story.  How grand that none of the people around you were not offended by some of the things that you did and the clothing you wore.  However, that has nothing to do with what’s going on now, since clearly there are people who are offended by the pictures you took and the things you’ve said, and therefore a completely different situation.  Because if you truly had any respect for NDNs, you would apologize, say wouldn’t do something like this again, and not add any fucking commentary saying that the people you offended shouldn’t be offended by you appropriating.

Isn’t the intent more important than outside opinion?  I know it’s not realistic to expect people to be reasonable about some things. But how is my admiration and love of someone’s culture an insult to anyone? How can you turn my respect for ethnic clothing, something so positive, into something so negative?

For you to say that people with ‘white privilege’ are simply assimilating another’s culture while wearing ethnic clothing, merely on the pretence that they can, is disgusting and degrading to anyone who dresses in ethnic clothing, partakes in other ethnic experiences or wears costumes to represent another’s culture. 

Some people have different opinions on whether people can respectfully adopt from cultures that they didn’t grow up in.  Some people think it’s okay to adopt and adapt from different cultures as long as you’ve done careful research and  respect the culture you’re borrowing from.  Some people think to do so is wrong no matter what.

However, most of us agree that if you appropriate in cheap and disrespectful way, and borrow from stereotypes without really learning about the culture, which is what you did, than that is fucking wrong.  And opinions of the ones who you cheaply appropriate from matter more than intent. 

Because I am human, means nothing to you, but because I am white, means everything.  Would you be making these remarks if I were Hispanic, or African American

If they were appropriating in a way that stereotypes of NDNs, then a some of us would probably say something, though the commentary would be different, since people of the races you mentioned have had very experiences than white people have.  Sometimes they even have shared experiences with us.

If you were to say I have disrespected you by running around in a form of ‘Black Face’ I would understand. In fact if that was the case I probably wouldn’t have had an intelligent thing to say, and would have simply disregarded your comment. But I have not, and am not, and I will not stand for anyone believing that my costume was maid out of racial hate, or a mere simple minded whim.

 An act doesn’t have to be hateful to be racist.  Some of the most fucked up things that happened to the Natives of this land were perpetuated by people who supposedly had good intentions, for example, the Indian Boarding system in America and Canada.  Just because you didn’t make this costume in hate doesn’t make it less of a racist act.

In my opinion to make a judgment on the colour of my skin makes you no better then any white racist. You talk as if the way YOU speak is OK; as if it’s excusable because whites in the past used to commit racism, so let’s just go for an eye for an eye and not evolve.

Oh fuck, not the “it’s racist to point out my racism!” argument.  This really shouldn’t need explaining, so I won’t.

I’ve never oppressed anyone. I have never called anyone a racial slur, and yet you feel it appropriate to label me? You don’t know anything about me. You have taken a photograph and judged me with a stereotype that is outdated. Your comments are made largely upon the oppression placed on Native American’s by white people - done in a time long past. I was born in 1989, not 1889. I am unable to undo this past done to you by the people who settled here.  

Okay, this how I know you don’t know anything about Native Americans.  If you really think that all the bad stuff that happened to NDNs happened 200 years ago, FUCK YOU AND THE SELF-RIGHTEOUS HORSE YOU RODE ON.  Guess what?  There was plenty of fucked up shit white people did after creation of the reservation system.  There’s been plenty of fucked up shit done in modern times.  And there continues to be fucked up shit done still today.  Go read Native American History for Dummies or something because  if you think messed up things done to Natives by white-run governments stopped a hundred years ago then you need to learn that you are wrong.  Quit trying to dance in powwows and read.

This type of racial hate may have been started by white people, but it is carried by those who have been hated upon. The only way to end racism is to learn from it, repair the damage, and move one into a happy existence of equality.

Racism will stop happening when oppressors learn to stop being racist and stop doing racist acts, and not just when the oppressed tell them to stop doing something racist things.  Racism will end when the world no longer have entire systems built on racism.  We certainly don’t live in that world right now, but one of the first steps is that when white people appropriate from oppressed cultures and people who come from oppressed cultures tells them to stop, they stop doing it and don’t add fucking commentary about it.

Okay I’m done, if I’ve said something I shouldn’t have please someone correct me.

Basically, everything else I was thinking and feeling but was too flabbergasted to manage.

This commentary is so perfect. IT IS NOT RACIST TO POINT OUT ACTS OF RACISM.

tranzient:

BlackBettie on DeviantArt

oh hells to the yes.

i can dig this

albinwonderland:

jessfink:

Chester 5000 is in stores this week!!! WOOOOO!!!! :D
I was very lucky to get some amazing testimonials for the back of the book from artists I admire:
“Liquid and elegantly stylized.” — Alan Moore
“Chester 5000 is everything I wish I could be in a robot boyfriend  and Jess Fink is everything I wish I could be as an artist. This is the  most sexcellent book you will ever read.” — Rich Stevens, author of Diesel Sweeties
“Is there any finer thing than a gorgeously drawn and visually engaging sexy-Victorian steam-punk robo-love story? Chester 5000 is absolutely wonderful, custom-built for your (reading) pleasure.” — Lucy Knisley, author of French Milk
If your local shop doesn’t carry the book, feel free to badger them about it!
Topshelf store!: http://www.topshelfcomix.com/catalog/chester-5000-xyv/721


I just
I want it so bad

albinwonderland:

jessfink:

Chester 5000 is in stores this week!!! WOOOOO!!!! :D

I was very lucky to get some amazing testimonials for the back of the book from artists I admire:

“Liquid and elegantly stylized.” — Alan Moore

“Chester 5000 is everything I wish I could be in a robot boyfriend and Jess Fink is everything I wish I could be as an artist. This is the most sexcellent book you will ever read.” — Rich Stevens, author of Diesel Sweeties

“Is there any finer thing than a gorgeously drawn and visually engaging sexy-Victorian steam-punk robo-love story? Chester 5000 is absolutely wonderful, custom-built for your (reading) pleasure.” — Lucy Knisley, author of French Milk

If your local shop doesn’t carry the book, feel free to badger them about it!

Topshelf store!: http://www.topshelfcomix.com/catalog/chester-5000-xyv/721


I just

I want it so bad